Arab Views of Europeans 1578-1727 Essay Example | Topics and Well Written Essays - 1500 words

Arab Views of Europeans 1578-1727 - Essay Example And given the fantasy and the Orientalism that marked early modern and modern European perceptions of Arabs and Muslims, did Occidentalism evolve in Arab-islamic thought? Did the military polarisation that marked the two shores of the Mediterranean produce an Arab fantasy and invention similar to that characterising a large amount of Europeans about Muslims. (p. 127) From the start, Matar have recognized that majority of the historians and scholars believed that the degree of interest of the Arabs and Muslims in Latin Christendom is significantly lower than what was shown by the Europeans in the Far East. He pointed to two prevailing schools of thought that explain this attitude: First, the Europeans are generally viewed as barbarians because of their heathen religion that teaches a theology, which, according to Quran, is false and distorted; Second, the European society has been seen as inferior to the Arab world because of the Muslim belief that the heritage of the Middle Ages have given them the edge over the Europeans. The corpus of the Islamic literature on the subject has shown a degree of hostility towards the West which clouds the existing curiosity over the other civilization. This hostility would further grow as the West asserted its hegemony in the course of its colonisation efforts. Matar, however, added an interesting insight to this variable. According to him, the disinterest, as has been comprehensively illustrated by the various sources, permeated in the Ottoman territory and those within the reach of its influence. He cited the case of Morocco, Tunisia and Algeria who, in their history and literature, have spoken about the Europeans quite extensively, displaying a level of interest that is unprecedented elsewhere in the Islamic world. He took note of the fact that the Moroccan elite were educated and have in their disposal a high level of literacy that have made up with the lack of printing machines that could have made the mass production of

Does Third Cinema Still Exist or Has Already Died Essay

Does Third Cinema Still Exist or Has Already Died - Essay Example The term ‘Third Cinema’ was coined by in the 1960s by two filmmakers from Argentina: Fernando Solanas and Octavio Getino. In 1968, after jointly directing a film: La Hora de los Hornos (Hour of the Furnaces), Solanas and Getino wrote their manifesto known as hacia un tercer cine (towards a third cinema). There the authors had identified three categories of cinema: the First, the Second and the Third World Cinema. The Third Cinema is a form of opposition to the film making institutions of the dominating nations of the world. For this reason, it has also been described as ‘militant cinema’. The Third Cinema is defined by its director’s conception of the world. It is not determined by the genre of the film or any particular political viewpoint expressed by the cinema. This kind of cinema first flourished in the 1960s. This was precisely the time when many colonized countries were rising in protest in the form of their National Liberalization Struggle aga inst their western colonial powers. During this period, a group of film makers from the third world countries started making a new king of cinema. These were dynamic and politically stimulating films that represented the way of life and the political resistance in these less developed nations. Though these films were made on a variety of different themes, they were very different from contemporary western cinema. The directors of the Third Cinema wanted to provide expressions to the dissatisfied citizens of the third world countries who were already voicing their opinions on the economic and political exploitations of the western powers. Third Cinema provided the platform where people were allowed to argue, struggle and make experimental films which were a contrast to the usual entertaining cinema that was popular around the world. Solanos and Getino in their manifesto (1969) stated: â€Å"In the dependent countries, third cinema is a cinema of decolonization, which expresses the w ill to national liberation, anti-mythic, anti-racist, anti-bourgeois and popular†.              Ã‚